Download , by Suzanne Brooker

Download , by Suzanne Brooker

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, by Suzanne Brooker

, by Suzanne Brooker


, by Suzanne Brooker


Download , by Suzanne Brooker

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, by Suzanne Brooker

Product details

File Size: 154738 KB

Print Length: 210 pages

Publisher: Watson-Guptill (August 18, 2015)

Publication Date: August 18, 2015

Sold by: Random House LLC

Language: English

ASIN: B00Q1IFLCW

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Amazon Best Sellers Rank:

#121,910 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Whilst I do a little painting, I have always steered clear of landscapes- everything looks so flat. With this book I think I will venture into the realms of the outside. Why? Because this book explains it in steps - not a now do this and copy this - but it actually give you the tools to look at a landscape and plan it, It explains about depth, condensing a landscape onto a canvas, colour and brushstrokes. I don't know if I will achieve a masterpiece but at least I am itching to try - I have a whole box of photos, which I took because I could see painting potential, now I can have a go. This book was supplied via NetGalley in return for a honest and unbiased review.

This book begins slowly, seemingly buried under a thick layer of verbiage and beautiful thoughts, without much practical application. Like music, you just can't read about art technique for long without dozing off. I almost gave up, thinking she might make a better writer than painter. But the quality of the art led me on, and by the middle of the book, the author stopped talking and started showing, and the book suddenly came alive...her observations and suggestions were first class, even for me--a long-term landscapist. I think next time she should just drop the first fifty pages and begin "in medias res" as the Greeks used to say, or maybe the Zoroastrians, I forget.

I would put this together with Mitchell Albala's book in terms of helpfulness and beautiful images (and in fact Albala has a couple of paintings in this one, and I love his work, but I especially enjoyed the works here by Renato Muccillo). Although I paint in acrylics, not oils, I've been struggling with techniques I relied on in watercolor that don't work as well in acrylic. Most acrylic painting books seem to focus on gimmicks like gold leaf or carving shapes in gesso, and that is not what I want to do. I've looked at some other books on oil painting but they often relied on wet-in-wet and/or painterly techniques, which is not something I want to do with acrylics. I could see right away that this book gives many examples of the painter working over a dry layer, which is what I do, so these are techniques I can use. I have seen many examples of so-called Old Master type painting that involves toning the support, but I had not seen any colors used for that besides grays and earths. This is the first time I saw someone toning with cadmium orange. Right away I wanted to try that. I also appreciated the description of a flake white hue made from 1 parts titanium and 2 parts zinc. I have just begun working with white (since it's a no-no in watercolor, I never used it until the past year or so), and this formulation I will definitely try. The step-by-step paintings of clouds are especially helpful. Lots of good stuff here!

Best book on landscape painting. This is an excellent book and anyone ho aspires to be a landscape painter should own it.There are chapters on every main landscape feature - Trees, Water, Sky, Terrain etc, In each chapter there is a thorough discussion of how the paintings illustrated were constructed, a section on appropriate brush strokes and some demonstrations which the reader can choose to paint himself.The print is a somewhat too light for my eyes, so I bought the Kindle edition and use both of them.Fortunately this book does not go through the paints you should use, or which brushes and palette you should use. It assumes that you know that and are advanced enough not to have that stuff repeated. This is definitely a book for more advanced paintersEvery painter should have this in his library.

Many artists limit their selection of paintings in their books to their own works. This book, in contrast, includes the artist's own works (particularly when she is showing, step by step, how she goes about painting), but also works from many other magnificent landscape artists. (In fact, this book first came to my attention because the cover features a work by Renato Muccillo). The paintings are very well selected to illustrate particular points she's making. I love that the instruction in this book encompasses both the big picture and the nitty gritty (such as brush techniques). While many art books are geared to beginners, this is an excellent art book that I believe has a lot to offer even for advanced painters. I consider myself intermediate, and it's perfect for me.

I imagine most people purchasing this book are painters interested in improving their art, which clearly was the author's target readership. But this is also a fantastic book for non-painters like me, because it helps reveal some of the mystery that goes into creating a painting. It's also a fine reminder that painting, like any other art, is not just a matter of inspiration and creativity. A great deal of hard work and technical skill, honed through years of practice, goes into any decent painting. The more one knows about that, whether they themselves paint or not, the more he or she can appreciate paintings and the people who create them.

A beautiful dust cover on this hard backed book. This book is an engaging and successful how-to book on painting landscapes in oil. Extensive coverage in a step wise approach. As a neophyte in this medium and having previously worked in watercolors, I found the information very concise and "do-able". I am inspired to get started in this course. The example paintings are from a variety of artists and are beautiful and expert paintings. Very pleased with this purchase it will have a treasured place in my repertoire and library of art instruction books.

While this is a beautifully worded book with LOTS of flowing prose, I found it a bit lacking on the technical side. It has some great nuggets of information and a nice variety of lovely artwork, but I was hoping for more guidance on advanced painting techniques and how to achieve them.

This is one of the most beautiful books on oil painting landscapes I have yet to read. Each chapter handles a different element of the landscape painting and there is a wonderful chapter on materials as well.

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