Free Download A Story Lately Told: Coming of Age in Ireland, London, and New York, by Anjelica Huston

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A Story Lately Told: Coming of Age in Ireland, London, and New York, by Anjelica Huston

A Story Lately Told: Coming of Age in Ireland, London, and New York, by Anjelica Huston


A Story Lately Told: Coming of Age in Ireland, London, and New York, by Anjelica Huston


Free Download A Story Lately Told: Coming of Age in Ireland, London, and New York, by Anjelica Huston

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A Story Lately Told: Coming of Age in Ireland, London, and New York, by Anjelica Huston

From Publishers Weekly

Actress Huston achieves some moments of ringing clarity in this memoir of her youth, especially as regards her famous director father, John Huston, whom she was both terrified and in awe of (people considered him a lion, a leader, the pirate they wished they had the audacity to be). The daughter of his fourth wife, the dancer Ricki Soma (who was much younger than him), Anjelica Huston and her older brother, Tony, were raised in a remote 110-acre estate in West Country, Ireland, called St. Clerans, where being homeschooled; being visited by famous, quirky people; riding horses amid wildly romantic scenery; and playing dress-up filled her youth. Her father was frequently absent on far-flung shoots, and her exotic mother was out of her element. With her parents' separation, Anjelica moved between Ireland and London, where her mother lived and where Anjelica went to school in the 1960s. She gradually embraced an acting career, appearing in her father's A Walk with Love and Death, though without confidence. After the death of her mother in 1969, Huston slipped into a more comfortable role of modeling and serving as the muse for the troubled, brilliant (and much older) fashion photographer Bob Richardson over four tortured years. Huston ends her brave account by describing her complex relationship with her father. (Nov.)

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From Booklist

With her high cheekbones and piercing dark eyes, Huston was fated for success as a fashion model. As the daughter and granddaughter of film and stage royalty, she was also assured a career as an actress. How she fulfilled those dual destinies is the subject of the first in a planned two-volume memoir in which Huston delves into her past in stunning detail. Growing up on a sprawling Irish estate, Huston was in thrall to her famous director father John Huston’s larger-than-life escapades and demands. As a teenager coming of age in London in the late 1960s, Huston fell under the spell of her passionately artistic prima-ballerina mother, Enrica Soma, who died just as Huston was coming into her own. Following that tragedy, the peripatetic Huston moved to New York where she captured the eye and captivated the attention of the day’s leading fashion photographers, including the famously mercurial Bob Richardson. As a multitalented contributor to her family’s theatrical legacy, Huston candidly reveals the heady and heartbreaking realities of life in that misconceived stratosphere. --Carol Haggas

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Product details

Hardcover: 272 pages

Publisher: Scribner; 1st edition (November 19, 2013)

Language: English

ISBN-10: 1451656297

ISBN-13: 978-1451656299

Product Dimensions:

5.5 x 0.9 x 8.4 inches

Shipping Weight: 14.9 ounces (View shipping rates and policies)

Average Customer Review:

3.6 out of 5 stars

225 customer reviews

Amazon Best Sellers Rank:

#329,139 in Books (See Top 100 in Books)

Angelica Huston's ability to recall meals eaten, clothes, worn, and so many people and events from her childhood is astounding. That said, the book reads more like a linear recitation of events and name dropping. Many great and some terrible things happened, but all of these are described in the same almost detached manner. We get no emotion and very little insight. From her point of view, was it great to be Angelica? We won't know. After a while, I kept wondering why she wrote the book. What did she want the reader to come away with? That she lived the life of wealth and privilege? That she met interesting people? Why does someone write a memoir if not to reflect and come to some insight or understanding about what happened? That said, I did find the descriptions interesting. She just doesn't give us much of herself.

Angelica Huston's memoir blindsided me. While I have enjoyed watching her in movies over the years, and have found her to be a talented actress, I admit I knew nothing about her remarkable childhood other than John Huston was her father. What a revelation this account was! Not only is it beautifully written, it provides a window into a magical and lost world when Hollywood notables had substance and style and curiosity about the world at large whether in the case of Huston it be on film location in a remote part of Africa, or riding hellbent for leather to the hounds in the wilds of Ireland in his spare time. I cannot imagine a celebrated Hollywood American figure of his ilk today, raised in Missouri, as having the chutzpah to make a family home squirreled away deep in the countryside on the other side of the Atlantic far away from the glitz and seductive modern day conveniences. What would the children do without their iPads? Play hide and seek, write fairy tales, lose themselves inside the covers of a book? Why, they'd evolve into deeply creative, thinking individuals. This book is a testimony to that! Sheer pleasure.

With so many connections - same age, shared-friends, some work, some play - and, of course - many of the same cultural references, for me - the emotional link withe Anjelica Huston has always been there. And I was eager to learn more about this girl who'd caught my attention from childhood.But the reader who suggests surprise at a lack of insight is, I think, on the money. The memories, however, are there - intact; and we are left to make of them what we will. Disassociated parents - children left on their own for the most part, in a world that offered them the strangest mix of sophistication and an innocence, willful and gauche. Licentious adults leave children in the hands of Irish Catholic caretakers in a country that has, by law, one point of view. How would you imagine that might foster personal insight?So - if memories are not served up with the kind of depth Huston's apparent intelligence might be expected to reveal, I'm going to give her a pass. She opens enough of the kimono to allow us to create our own insights. And my heart breaks for her too often in this book for me to deliver blame.Hers is also a chronicle of change in the world. Her ability to sail along the top of that wave, even if she remains unaware of all that's going on in the water below, should interest anyone who cares about that moment between the Fifties and the Seventies - when so many barriers of authority, stability and privilege came tumbling down. In this story, they land on one young girl. -- And I so look forward to the next volume.

I was especially interested since I visited St.Clerans in the 1960's and found the place enchanting. Alas, it has since been turned into a hotel - with conventional interiors- what a come-down.“Greek marbles, Venetian glass, dancing Indian Shivas, Japanese screens and woodblocks, retablos, Chinese gongs, Italian carvings, bronzes, guns, ancient weaponry, Imperial jade, Etruscan gold, French tapestries, Louis XIV furniture…” and one of Monet’s water lily paintings, won after a wild night at a casino. This was the setting of Anjelica's formative years.The gap between the material riches and the emotional vacancies resounds through the book, which has none of the gaudy, gushy, tone of the average celebrity autobiography. There was no ghostwriter. There’s no self-justification: “I knew how to play people. I was romantic and companionable and a bit of a crybaby.”Her most famous lover, Jack Nicholson, once said that “people who speak in metaphor can shampoo my crotch”, and I think he’d approve of her lean prose and the uneasy spaces she leaves around the objects she presents as witnesses to her past.

I read this in one night, so fascinated with Angelica's telling of her story with her father, her beautiful mother, her world as a young child iin Ireland and England into her early teens. It is sincere, direct writing that is revealing and so touching. It holds its own. John Huston was this dominant figure in the world of and the mythology of cinema, but more importantly the dominant force in a young Angelica's early years. Her mother Nicki Soma held, I would guess, more importance, but is the child ever given the chance to choose. Yet her father was this larger-than-life man who was present, or wasn't, in his young daughter's life, a larger than life presence in this young girl's life! After reading her sister Allegra's wonderfully loving (and well-written) memoir of her life thus far, I wasn't sure what to expect with this book. But the sisters are naturals in telling stories with clarity and insight. In Anjelica's book, with each page, my already ample respect for this actress grew, as I learnt a lot about the start of an illustrious life, my appreciation for her talent as a writer grew and grew, as did my admiration of the woman. This is a loving memoir of great love for family, her siblings, particularly her mother, and the rogue magnificence of the masterful filmmaker as father. Mr Huston, although far from perfect as a father, was one who indelibly left his mark, on everyone, especially his daughters, and all for the better. Here we find an impressionable young woman who has become this remarkable writer/actress. Congrats.

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